EUROVISION
2017 -
SECHUK JURY 2017
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MEET THE JURY
CHECK
OUT THE SONGS
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GRAB
THE MOMENT JOWST |
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SECHUK
JURY Rating 205/320
(67.9%) |
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INTERNATIONAL JURY |
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INT JURY
TOTAL 104.5 |
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Amar |
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I'm
actually pleasantly surprised by this! It's the only entry of its kind
this year, and it's being delivered very well. Although I'm not sure how
well this will place, I could definitely hear this on the radio and see
myself singing along to it. |
8 |
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Benedek |
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Again
a good song but it is just not special enough. I like the weird new
sounding but I don't see it doing good overall in Europe.The singer has
charisma and it will help it to have a chance to qualify. |
6
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Christos |
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I
have a feeling that there were not nice songs at the Norwegian final this
year. Even If the song describes a moment I don’t really think that this
is the moment for |
2
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Daria |
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I
can dance to it, I can remember it, I can sing along to it. Not a great
song, but it’s perfect for one season. Not let’s hope that they
won’t change the staging too much. |
8
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Douwe |
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Lyrically
'Grab The Moment' is one of the better songs this year but it is nowhere
near the dramatic heights of 'SS' (2014) or 'AMLM' (2015). There is a tune
in there but it needs to be reworked and a substitute will have to be
found for the DJ work on the vocals as they must be live in Kyiv. This is
a little too bland, the chorus has no impact and not much happens on the
stage. Possibly this understated performance will make it stand out but
I'm not very hopeful that the Norwegians will be in the final and perhaps
Ammunition's 'Wrecking Crew' or Ulrikke's 'Places' might have been safer
bets. |
5
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Elena |
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If
there was a competition between the nordic countries, |
9 |
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Frederico |
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Oh
dear, terrible. Voices in their heads should have told them not to send
this. |
1.5
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José |
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The
song is interesting at some points, but has some strange changes of sound
that mess the whole thing. It's a strange contept, a singer with an amish
look, with a DJ at the bottom that want to remind us to Alan Walker, oh
well, at the end worked at it will be in Kiev, but it will have better
songs to defeat, may be this song will make Norway remain in Semifinals
again. |
6
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Mark
L |
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normally
I really love the Norwegian entry, and while I suppose this is OK I think
it may struggle to stand out from the crowd in |
5.5
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Melissa |
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This
is a great contemporary entry from |
10
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Octavio |
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This
song is really pleasant to listen to, different and modern. The chorus is
brilliant and the production is really contemporary and complicated. Great
song but they need to work on staging if they want to stand a chance. |
8
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Paul
C |
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It
is quite an original entry, but overall it is quite average. Staging is
nice but the singer's outfit is just horrible. |
6 |
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Pia |
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This
is good a little bit different. I wonder how many words a person can sing
without to breathe .....Cool ! |
8
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Roberto |
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Grab
the moment and share it; share the moment and grab it. This hypno-trance
pop-dance tune has something different seen so far, interesting and
involving. Those sounds à la Daft Punk are not my cup of tea, but they
could work. |
7 |
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The
2010 slogan in |
6 |
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Samantha |
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Great
hook, interesting presentation, good message, chill, yet danceable.
Yep, love this! |
8.5
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JURY
TOTAL 100.5 |
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Andrew
G |
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Rather
good, but at this stage after hearing most songs, i feel it is not as good
as some of the other songs, hard to say how this one will go |
5
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Danny |
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This
is a fairly average run of the mill radio song which I enjoy when I hear
it but I can’t remember anything about it as soon as it has finished,
which unfortunately is not exactly a good sign for their qualification
chances. There’s nothing wrong about it, but it’s just too forgettable
to have droves of Europeans picking up their phones for it. The absolute
definition of ‘OK’. |
6
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David
B |
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A
surprise winner of a less than stellar Norwegian final. I like his voice
which lifts a relatively ordinary song. No idea what his mate in the mask
is bringing to the party and so he needs to jog on. |
6.5
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David
E |
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Yet
another modern dance-vibed track and some clever vocalisation would
suggest that |
7.5
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Dean |
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I’m
not really sure what to make of this. It feels fresh, and I like it more
each time.
Modern and likeable, this should see |
7.5
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Eddie |
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This
is a hard one to call. He has a great pop voice and the track is well
produced. However, it doesn't really build but does have a nice feel. A
finalist, I hope. |
6.5
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Edward |
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This
is so catchy!
You can’t help singing along straight
away and the vocal effects attract attention.
The urban breakdown is cool and the
lyrics are intriguing, so you want to listen again to understand them.
The live performance is really strong
and the visual effect.
This will do well. |
8.5
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5.5
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this
is great. Super catchy melody and they seem like a really likeable pair.
Eurovision wouldn't be Eurovision without a dj box on stage for at least
one song. |
8.5
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Kevin |
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Joakim
With Steenbetter known as JOWST, is the Norwegian entry for 2017.
Musician, DJ, record producer and songwriter Joakim is a multi-talented
artist with a really catchy electro pop number, one of personal favourites
which is growing on me |
8
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Lloyd |
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A
respectable lounge dance song, but felt disjointed due to the lack of
interaction between the two performers. Did not excite me at all and think
it will struggle to qualify for the final. |
5.5
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Mark
M |
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I
didn't think I would like this but I think it has a really strong hook and
I hope |
7
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Martin |
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JOWST
are pushing the envelope as to what can be done with your musical
arrangements at Eurovision but you can't argue that this isn't of the
moment.
Whether Aleksander Walmann's vocals are
actually as important to this entry is debatable - the intricacies of the
synths make this an intriguing listen... |
7
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Matt |
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Hmm
this isn't terrible but it isn't overly great either.
Nice that the national final had a good
selection of music styles but this doesn't float my boat. |
2
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Nico |
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I
like the chorus, definitely a song I'm happy to listen to, yet somehow
lacking in that instant grab factor. There's a bit of a lack of stage
presence at the moment, but there's time to work on this. |
6.5
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Sally-Ann |
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A
middle-age Joe & Jake deliver a modern track with a compelling backing
track but precious little else going for it.
Eyes off the ball, |
3
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